Langspeeltijd * Long-playtime of Monday 18 & Wednesday 20 November 2019: Cathérine Ribeiro & 2bis, Brian Auger & Julie Driscoll, Smokey Robinson & The Miracles, David McWilliams [Ed’s Show, 2019-44]
NEW SHOW: Cathérine Ribeiro & 2bis, Brian Auger & Julie Driscoll, Smokey Robinson & The Miracles, David McWilliams *** REPEATED: First Albums by The Beach Boys, The Cats, Chicago Transit Authority, Al Kooper, Graham Bond *** Monday 18 November, 12:00-24:00 hrs CET Brussels + repeated Wednesday 20 November 2019, 12:00 till 20:00 hrs CET Brussels *** [2019-44, no. 109 ] ***
*** RADIO 68: ALL THE SOUNDS AND ALL THE VOICES OF THE SIXTIES ***
|New Show: Cathérine Ribeiro||12:00 -14:00
16:00 – 18:00
16:00 – 18:00
|Repeated show: First Albums||14:00 – 16:00
22:00 – 24:00
|14:00 – 16:00
|End of show||24:00||20:00|
NEW SHOW: CATHÉRINE RIBEIRO
LOVE, PEACE & UNDERSTANDING Colette Magny: co-opération.
HOMAGE TO CATALUNYA Quico Pi de la Serra: Fill de Budha
CATHÉRINE RIBEIRO + 2Bis Album 1969, side 1.
DAVID McWILLIAMS Days Of Pearly Spencer, LP, 1967, choice tracks.
CATHÉRINE RIBEIRO + 2Bis Album 1969, side 2.
BRIAN AUGER & JULIE DRISCOLL & THE TRINITY Open, 1967, LP, side 1.
SMOKEY ROBINSON & THE MIRACLES Going To A Go-Go (1964) + Away We A Go-Go (1965): choice tracks.
BRIAN AUGER & JULIE DRISCOLL & THE TRINITY Open, 1967, side 2 choice tracks.
PAROLES LIBRES * FREE SPEECH: Trois minutes avec Lola Miesseroff (“Voyage en Outre Gauche”) + Human Be-In
LEES HIER MIJN RECENSIE van LOLA MIESSEROFF https://www.eddybonte.be/podium-68/mei-68/recensies-68/voyage-en-outre-gauche/
SPECIAL : FIRST ALBUMS BY…
LOVE, PEACE & UNDERSTANDING The Cats: What Is The World Coming To?
HOMAGE TO CATALUNYA Paco Ibañez: A galopar
FIRST ALBUMS BY
THE BEACH BOYS Surfin’ Safari, LP, 1962, side 1.
THE CATS Cats As Cats Can, LP, 1967, selected tracks (2,5,6,8,9,11).
CHICAGO TRANSIT AUTHORITY 1st album, 1969, selected tracks (Does Anybody Know, Beginnings, Questions 67 and 68, I’m A Man).
AL KOOPER I Stand Alone, LP, 1968, choice tracks (2, 4, 9, 11, 12).
CHICAGO TRANSIT AUTHORITY 1st album, 1969 (I’m A Man).
GRAHAM BOND Love Is The Law, LP, 1968 (selected tracks 1, 2, 4, 7, 10).
AND ALSO Rod Stewart (Street Fighting Man, 1969) + Richie Valens (Come On, Let’s Go).
FREE SPEECH, WORD & POETRY Mexico 1968: The Massacre * Mexico 1968: Black Power & Olympics * Children Of The Morning
HIGHLIGHT ** IN DE KIJKER
CATHERINE RIBEIRO & 2bis (first album, 1969)
“ (…) Ask Ribeiro, and you won’t find many answers. The accompanying liner notes sketch her life prior to Alpes’ debut, 1970’s Nº2, in stark terms: “It was an immense pile of waste and solitude,” is how she summarizes her formative years. In her 1999 memoir, L’Enfance, Ribeiro dives deeper. She was born in Lyon, France during wartime. Her brother died as an infant. She spent an inordinate amount of her youth hiding in the darkness of a makeshift bomb cellar. Before she immersed herself in music, Ribeiro was an actor, appearing in Jean Luc Godard’s 1963 anti-war film Les Carabiniers. In her most memorable scene, she watches her soldier husband display a series of surreal, beatific postcards from the war. The message was simple: Look how we suppress and miscast the brutality of our lives; look how we reenact that violence on others. Ribeiro swore to never make this mistake in her art” (…). Source / All Rights Reserved: https://pitchfork.com/reviews/albums/catherine-ribeiro-alpes-n2ame-deboutpaix/
AL KOOPER ‘I STAND ALONE’ LP, 1968
“Al Kooper’s debut should really be heard by more people. This record was released by Columbia in 1968, sometime after Kooper had left the original Blood, Sweat and Tears. Casual listeners know Kooper as a mid-60’s Bob Dylan sideman, sometimes Mike Bloomfield/Shuggie Otis collaborator, respected record producer and keyboard player in the legendary underground New York City group, the Blues Project. Kooper left behind many fine solo records in the late 60’s and 70’s but I Stand Alone is something special, a disc that captures it’s place and time very well.
I Stand Alone is one of those records that’s inventive in a post Sgt. Pepper way, ambitious in its wide array of styles, experimental within a pop context and bound to confuse at least a few listeners. It’s amazing that Kooper’s solo work and the first Blood, Sweat and Tears record have never been reassessed for the great records they are. I Stand Alone is a strong listen all the way through, divided evenly between originals and well chosen covers. The disc opens with the title track, which was recorded in Nashville and is one of Kooper’s signature tunes (…) “. Source / All Rights Reserved:
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