Langspeeltijd * Long-playtime of Monday 23 & Wednesday 25 Sept.: The Rolling Stones’ Beggars’ Banquet + Q65 + Ten Years After [Ed’s Show, 2019-36]

NEW SHOW: The Rolling Stones’ Beggars’ Banquet + Q65 + Ten Years After *** REPEATED: BACK TO BASICS in 1968 with Bob Dylan, Joni Mitchell, Chad & Jeremy, The Byrds, Twice As Much *** Monday 23 September, 12:00-24:00 hrs CET Brussels + repeated Wednesday 25 September, 12:00 till 20:00 hrs CET Brussels *** [2019-36, no. 101] ***

*** RADIO 68: ALL THE SOUNDS AND ALL THE VOICES OF THE SIXTIES ***

SHOWTIME 

NEW SHOW: BEGGAR’s BANQUET 
THE ROLLING STONES: BEGGAR’S BANQUET, 1968, entire LP  ***
Q65: REVOLUTION, 1966: B-side ***
TEN YEARS AFTER: UNDEAD, 1968 entire LP.
LOVE, PEACE & UNDERSTANDING: PAUL JONES; Aquarius *** FREE SPEECH : Charles Bukowski: The Genius of the Crowd + ALLEN GINSBERG (Dialectics) + COUNTRY JOE McDONALD: Agent Orange Song + HANS WADER: Einheitsfronttlied

REPEATED SHOW  SPECIAL : BACK TO BASICS in 1968 with Bob Dylan, Joni Mitchell, Chad & Jeremy, The Byrds, Twice As Much
LOVE, PEACE & UNDERSTANDING: JOHNNY RIVERS:  Going Back to Big Sur (LP Realization, 1968) + CHAD & JEREMY: Sidewalk Requiem Los Angeles June 5th and 6th (on the assassination of Robert J. Kennedy) ***
SPECIAL: BACK TO BASICS IN 1968: JONI MITCHELL: SONG TO A SEAGULL, 1968, choice tracks + THE BYRDS: SWEETHEART OF THE RODEO: entire A-side + BOB DYLAN: JOHN WESLEY HARDING: entire B-side + CHAD & JEREMY: THE ARK, choice tracks + TWICE AS MUCH: OWN UP, choice tracks + BOB DYLAN: JOHN WESLEY HARDING: A-side, tracks 1to4 ***
FREE SPEECH : THE INVASION OF PRAGUE, August 1968

HIGHLIGHT ** IN DE KIJKER

BEGGARS BANQUET 
Beggars Banquet is the album that changed everything for the Rolling Stones.

“From the manner it was recorded  at Olympic Studios in Barnes, London, to the track selection, a mixture of rockers (“Street Fighting Man”), blues numbers (“Prodigal Son”, “No Expectations”) and ballads (“Salt Of The Earth”), the band truly came into their own, and the Rolling Stones’ music of today is a reflection of what happened in that studio in 1968, they reached their musical manhood.

The genesis of the epic song “Sympathy For The Devil” is well documented in the Jean Luc Goddard film One Plus One . While 1967’s Their Satanic Majesties was recorded after Mick and Keith’s traumatic and unjust, drugs bust, it was almost too soon to be reflected in their songwriting. Whereas “Sympathy For The Devil”, and much of Beggars Banquet hint at a defiance at what they’d been through, and a strength from the experience. The album also marks a change in musical direction for the band, with the debut of Jimmy Miller as producer, who went on to collaborate with the band on Let It Bleed, Sticky Fingers, Exile On Main St and Goats Head Soup. Miller had also produced Traffic and Spooky Tooth, and co-wrote “I’m A Man” with Steve Winwood. Other musicians who appeared on the album  are Nicky Hopkins on piano, Dave Mason on guitar and mandolin and a gospel choir from Los Angeles.

The only non Jagger/ Richards song on the album, “Prodigal Son” is a cover of Robert Wilkins’ “That Ain’t No Way To Get Along”, which he first recorded in 1929. A year earlier Wilkins recorded the first known song to be entitled, “Rolling Stone”.”
Quoted From / All Rights Reserved: http://www.rollingstones.com/release/beggars-banquet/ 

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