My Generation of Sunday 10 & Tuesday 12 March: The Buddy Holly Sound [The Bobby Fuller Four, The Everly Bros.], The Koobas + Belgian Blues Call with Guy Verlinde [Ed’s Show, 2019-09]

NEW SHOW: The Buddy Holly Sound [with The Bobby Fuller Four, The Everly Bros.], The Koobas + Belgian Blues Call with Guy Verlinde, Kirri’s Travelin’ Kitchen, The Bluesbones *** Repeated: The Rolling Stones On Air: At the BBC 1963-1965, Don Nix, The Beatles, Crispian St. Peters, Fairport Convention + Blues with Curtis Salgado & Alan Hager *** Sunday 10 March., 12 noon till 12 midnight, repeated Tuesday 12 March, 12 noon till 20:00 hrs ***  Time Zone: CET Brussels *** Ed’s Show, [2019-09].


*** 
RADIO 68: all the sounds and all the voices that shaped the sixties ***

 SCHEDULE ** ROOSTER  ** CET Brussels Sun. 1200 > 2400      Tue. 1200 > 2000 
My Generation: Buddy Holly Sound  12:00 * 16:00 * 20:00 12:00 * 16:00 * 
Blueside: Guy Verlinde 13:00  * 17:00  * 21:00 13:00  * 17:00  * 
My Generation: Rolling Stones On Air   14:00 * 18:00  * 22:00 14:00 * 18:00  * 
Blueside: Curtis Salgado & Alan Hager 15:00 * 19:00 * 23:00 15:00 * 19:00 * 
Ends 24:00 hrs Ends 20:00 hrs

THE PLAYLISTS

1 MY GENERATION (NEW) SPECIAL: SPECIAL THE BUDDY HOLLY SOUND THE BOBBY FULLER FOUR
LOVE & PEACE The Yardbirds live 1968, feat. Jimmy Page You’re A Better Man Than I.
HOMAGE TO CATALONIA  Els Dracs
FORGOTTEN & OVERLOOKED THE ROLLING STONES  + ANNEKE GRŐNLOH.
SPECIAL THE BUDDY HOLLY SOUND with THE BOBBY FULLER FOUR + THE EVERLY BROTHERS + BUDDY HOLLY + CJUCK BERRY + BO DIDDLEY.
LONGPLAYTIME The Koobas (LP ‘The Koobas’, 1969) + The Electric Prunes (LP ‘Underground’, 1967).
FREE SPEECH  DE GEDACHTEN ZIJN VRIJ : Buffy Sainte-Marie on Truth and Reconciliation + Hell No We Won’t Go + Morning Dew (Episode Six).

2 BLUESIDE (NEW)Belgium Calling with Guy Verlinde
LOVE & PEACE Eddie Harris & Les McCann Compared To What (LP Swiss Movement, 1969).
THE ORIGINATORS & INSPIRATORS : Muddy Waters (LP ‘After The Rain’, 1969).
SPECIAL: BELGIUM CALLING with GUY VERLINDE (new album ‘All Is Forgiven’) + Little Jimmy (from forthcoming album ‘Blues Rebel ‘), Kirri’s Travelin’ Kitchen Jam (new album ‘Little Somethings’) + The Bluesbones (new album ‘Chasing Shadows’).
KEEPERS OF THE BLUES FLAME Don Nix.
THANKS TO Tiny Legs Tim and Sing My Title Records for Little Jimmy (facebook SingMyTitle) + Fandango Music and Kirri for Kirri’s Travelin’ Kitchen Jam www.kirrimusic.be + Guy Verlinde and R&S Music for ‘All Is Forgiven’  www.randsmusic.com + The Bluesbones for ‘Chasing Shadows’ www.thebluesbones.com

3 MY GENERATION (REPEATED) : The Rolling Stones On Air: At the BBC 1963-1965
Love & Peace THE BEATLES: Why Don’t We Do It In The Road ** FORGOTTEN & OVERLOOKED: BILLY JOE ROYAL: Down in the Boondocks (UK no. 38, USA no. 9, 1965) + THE ANIMALS: Baby, Let Me Take You Home (first single, 1961, UK no. 21) + CRISPIAN ST. PETERS: At This Moment (first single, 1965) **
SPECIAL: The Rolling Stones On Air: At the BBC 1963-1965
LONGPLAYTIME:
 FAIRPORT CONVENTION: Million Dollar Bash (Unhalfbricking, 1969) + BERT JANSCH: I’ve Got A Woman (Birthday Blues, 1969) + BOUDEWIJN DE GROOT: Cinderalla (Picknick, 1968).  WORD CHARLIE HEBDO: BERNARD MARIS, économiste, mort lors de l’attentat contre Charlie Hebdo, le  7 janvier 2015 + DON NIX: In God We Trust + How to Spot A Communist  US Army Propaganda + Muhammed Ali  on Draft ***

4 BLUESIDE (REPEATED)SPECIAL: SPECIALCURTIS SALGADO & ALAN HAGER [Rough Cut, Alligator, 2017, many thanks to Alligator and V2 Records Belgium] + ROOMFUL OF BLUES: Turn It Up, Turn It On + ROBERT CRAY: Right Next Door (Strong Persuader) ** THE ORIGINATORS  & INSPIRATORS:  THE TEMPTATIONS: Get Ready + EARL HOOKER: Frog Hop + BIG WALTER HORTON & Carey Bell:  Temptation Blues ** POPA CHUBBY BLUES FOR CHARLIE  ** AND ALSO: BO DIDLEY, CACTUS ** WORD: NINA SIMONE on Blackness **

 

ACHTERGRONDINFORMATIE ** BACKGROUND

ON AIR, THE ROLLING STONES’ BBC RECORDINGS
(… ) ‘Happily, the performances – much bootlegged since the ’70s – are pure delight. The Camden Theatre set (which sneaked out on a deluxe edition of the GRRR! compilation in 2012) boasts set highlight Cops And Robbers. A Bo Diddley original, it’s performed as an homage to the young Stones’ spiritual home, a fantasyland of chunky R&B riffery and big screen Hollywood noir. Jagger devours the slang with such evangelical zeal it verges on camp.
Cops And Robbers is one of eight songs across the two discs not released by the Stones at the time. Two titles from that first October ’63 Saturday Club session underline the defining influence of Chuck Berry. Keith Richards’ solo on Roll Over Beethoven remains the template for his breaks to this day, while Jagger’s mimickry of Chuck’s ‘soft’ voice on Memphis, Tennessee was an early glimpse of a gift that’s served him well.  (…)
Many of the versions here stick close to the released takes. But when the group starts recording Jagger/Richards singles at RCA in Hollywood in 1965, namely The Last Time and Satisfaction, the lack of US-style reverberations makes for a more revealing listen. At the same time, contemporary US soul, often in the form of a Solomon Burke song (the Stones recorded If You Need Me four times for the BBC), was making inroads into their repertoire. (…) This is a hugely enjoyable landmark release”.  (by Mark Paytress, all rights reserved, quoted from: https://www.mojo4music.com/articles/the-rolling-stones-on-air)

RADIO 68 PLAYS the songs The Rolling Stones never recorded.

CURTIS SALGADO & ALAN HAGER: ROUGH CUT
“Curtis Salgado’s earth-shaking vocals and forceful harmonica playing have been devastating audiences around the world for over 30 years. Alan Hager’s guitar expertise has been wowing fellow musicians from his hometown of Portland, Oregon and beyond for decades. Hager has been jamming with Salgado since 2003, and joined his band full-time in 2015. “Alan is the best player in the business, unlike anybody else,” Salgado says.
Together, the two blues fans and friends took time out of their busy touring schedule to record Rough Cut, a stripped-down album featuring a potent mix of newly written, timeless originals and carefully chosen blues covers. “We did it for the love of the music,” says Salgado. “This is where our hearts are. These are deep songs that we love to play.” (Source:  courtesy Alligator PR-sheet)

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