My Generation of Sunday 13, Tuesday 15 Jan.: Bob Brunning Tribute with Jo Ann Kelly, Fleetwood Mac, Savoy Brown, Five’s Company, Peter Green [Ed’s Show, 2019-01]

NEW SHOW: Bob Brunning Tribute with Jo Ann Kelly, Fleetwood Mac, Savoy Brown, Five’s Company, Peter Green *** Repeated: The Beach Boys (rare sessions), Johnny Copeland (60s Houston sessions), Kentucky Headhunters, Jeff Beck *** Sunday 13 Jan., 12 noon till 12 midnight, repeated Tuesday 15 January, 12 noon till 20:00 hrs *** Time Zone: CET Brussels *** Ed’s Show, 2019-01, *** RADIO 68: all the sounds and all the voices that shaped the sixties ***

THE PLAYLISTS

1 MY GENERATION (NEW) : SPECIAL: Tribute to BOB BRUNNING (Five’s Company, Savoy Brown, Fleetwood Mac)
LOVE & PEACE  The Fugs: Kill For Peace
FORGOTTEN & OVERLOOKED The Cowsills, The Cousins, The Contours.
SPECIAL  BOB BRUNNING  FIVE’s COMPANY feat. Bob Brunning: the Pye singles As and Bs (1966): Sunday For even Days / The Big Kill + Some Girls / Big Deal + Session Man / Dejection + FLEETWOOD MAC feat. Bob Brunning: Long Grey Mare + SAVOY BROWN, feat. Bob Brunning: Taste and Try. LONGLAYTIME  World Of Oz (World Of Oz) +  Ralph McTell (My Side Of Your Window) + The Small Faces (Ogden’s Nut Gone Flake) + Canned Heat (Hallelujah!).
FREE SPEECH  James Brown on the assassination of Martin Luther King + Derroll Adams + Freddy Quinn

Lees hier mijn interview met Bob Brunning uit 2002:  https://www.eddybonte.be/just-good-music/blues/britblues-scene/bob-brunning/

2 BLUESIDE (NEW):Tribute to BOB BRUNNING  (Jo Ann Kelly, Bob Brunning’s De Luxe Blues Band, Brunning Sunflower Blues Band
LOVE & PEACE Nina Simone Mississippi Goddamn.
THE ORIGINATORS  & INSPIRATORS LIghtnin’ Hopkins, Barrett Strong, R.L. Burnside.
SPECIAL  BOB BRUNNING with Peter Green (cd ‘Rarities’) + BOB BRUNNING’s DE LUXE BLUES BAND + BRUNNING SUNFLOWER BLUES BAND + TRAMP feat. Bob Brunning, Bob Hall, Jo Ann Kelly, Peter Miles, Adrian Pietryga, Pete Emery.
KEEPERS OF THE BLUES FLAME:  Henry Gray (album They Call Me Little Henry).
FREE SPEECH Mexico Tlatelolco, 50 years after the Massacre

Lees hier mijn interview met Bob Brunning uit 2002:  https://www.eddybonte.be/just-good-music/blues/britblues-scene/bob-brunning/

3 MY GENERATION (repeated): SPECIAL: THE BEACH BOYS sessions
LOVE & PEACE  The Youngbloods
FORGOTTEN & OVERLOOKED: Jacques Dutronc, The Sorrows, The Yardbirds (Dazed and Confused, live 1968).
SPECIAL  rare BEACH BOYS:  In My Room (demo), Little Saint Nick, Punchline (instrumental, unreleased), Good Vibrations (15  minutes-session!), Wouldn’t It Be Nice (session) [from: Thirty Years, Columbia  box set].
LONGPLAYTIME; Donovan: What’s Been Did and What’s Been Hid, 1965.
AND ALSO   Wynder K Frog + Chris Andrews .
FREE SPEECH  DE GEDACHTEN ZIJN VRIJ:  Country Joe McDonald: This Land Is Your land + Daniel Cohn-Bendit + audio Mai ’68 à Paris

4 BLUESIDE (REPEATED): SPECIAL: JOHNNY COPELAND

LOVE & PEACE Willie Dixon
THE ORIGINATORS  & INSPIRATORS  Shirley and Lee, Flod Jones and Eddie Taylor, Memphis Slim & Willie Dixon.
SPECIAL JOHNNY COPELAND: ‘Ghetto Child’, The Houston sessions, 1960-1964.
KEEPERS OF THE BLUES FLAME:  Jeff Beck with Jan Hammer and Beth Hart  + Jeff Beck and Buddy Guy + The Kentucky Headhunters with  Johnnie Johnson and Anthony Kenney +  The Kentucky Headhunters Live [new cd on Alligator:  Live At The Ramblin’ Man Fair, 2019].  <
THANKS TO  Alligator Records and V2 Records Belgium for The Kentucky Headhunters: Live At The Ramblin’ Man Fair, released 1 Jan. 2019)

ACHTERGRONDINFORMATIE ** BACKGROUND

BOB BRUNNING
This week’s show pays tribute to Bob Brunning, who sadly passed away in 2011. Bob Brunning was the first bass-player with Fleetwood Mac alongside Peter Green, Mick Fleetwood and Jeremy Spencer – the line-up that played the famous Windsor Jazz and Blues festival in 1967. He left soon afterwards, as the seat was actually reserved for John McVie. We have selected tracks from the many bands he played bass in: Peter Green’s Fleetwood Mac * Savoy Brown * The Brunning Sunflower Blues Band  with Peter Green * Tramp feat.  Jo-Ann Kelly and Bob Hall * The last De Luxe Blues Band’s record *
Lees mijn interview met Bob Brunning op www.eddybonte.be >

THE BEACH BOYS Box Set ‘Thirty Years – Good Vibrations’.
(…)This box contains the heart and soul of the Beach Boys music. The hits are here along with some cool songs that didn’t come out as singles…some not even as records at all. We’ve even included some of the Smile sessions so that you see that as well as straight ahead stuff, we also have a crazy side to us. You’ll also hear us live and in concert with all the flaws. No matter which side you prefer, just remember when you listen to this music, you’re hearing us at our best. To me, the best part of the whole Beach Boys experience, was the excitement that the boys and I whipped up together. It’s always been infectious, and I’m sure you’ll catch it too as you listen.
So, from me and the guys…my brothers Dennis and Carl, Mike Love, Al Jardine, Bruce Johnston and David Marks…and all the musicians who helped make this magic music…enjoy!
Sincerely, Brian Wilson, March, 1993”
Quoted From / All Rights Reserved: http://albumlinernotes.com/Good_Vibrations_Box_Set.html

JOHNNY COPELAND

‘Ghetto Child’ is a good example of how not to compile an artist. BUT: the music’s good! “ (…)Now, having aired all those complaints, the music is very good. These are fiery, committed performances in which the songs and arrangements often veer as much toward soul as toward blues. That’s something that works to Copeland’s advantage, both because he was versatile enough to combine styles well, and because it made him stand out from legions of other journeymen bluesmen. The 1960-71 material is particularly fine for its raw and unusual qualities. 1971’s “Ghetto Child,” for instance, has a searing wobbly organ that sounds like it was lifted from a warped Animals record, and its flip side, “Soul Power,” has respectable funk rock influences. The 1963-64 cuts benefit from some Bobby  Blue Bland-quality horn parts, and “May the Best Man Win” has some great unexpected descending chord changes, set to a Latinesque beat” (…) Quoted From / All Rights Reserved: Richard Unterberger at allmusic.com

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