60s Albums Only * Long-playtime *** The Mod Sounds of The Who [Sell Out, entire album], The Creation [We Are Paintermen], The Smoke [It’s Smoke Time] + Soft Machine, Wallace Collection [Laughing Cavalier] *** Monday 25 April 2022 *** [Ed’s Show, 2022-15]

NEW SHOW:  Mod Sounds with The Who [Sell Out], The Creation [We Are Paintermen], The Smoke [It’s Smoke Time] + Soft Machine, Wallace Collection [Laughing Cavalier] *** REPEATED SHOW *** Fairport Convention [1st LP], The Pentangle [1st LP], Ralph McTell [Spiral Staircase], Tim Buckley, Emitt Rhodes   *** Monday 25 April 2022, 12:00 noon till  04:00 in the morning *** Time Zone CET Brussels, Paris, Berlin *** [2022-15 = 2018-36] *** no. 217

 

RADIO 68: ALL THE REVOLUTIONARY SOUNDS AND VOICES THAT SHAPED THE SIXTIES 


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Showtime CETime Brussels 

  • 12:00 Who, Creation, Smoke, Wallace Collection
  • 14:00 Pentangle, Fairport Convention, Ralph McTell
  • 16:00 Who, Creation, Smoke, Wallace Collection
  • 18.00 Pentangle, Fairport Convention, Ralph McTell
  • 20.00 Who, Creation, Smoke, Wallace Collection
  • 22:00 Pentangle, Fairport Convention, Ralph McTell
  • 24:00 Who, Creation, Smoke, Wallace Collection
  • 02:00 Pentangle, Fairport Convention, Ralph McTell
  • 04:00 Show Ends Here    

01 NEW SHOWWHO, CREATION, SMOKE 
The Mod Sounds Of The Who, The Creation, Smoke
LOVE, PEACE & UNDERSTANDING The Fool: We Are One
SPECIAL : Mod Sounds
THE WHO: The Who Sell Out: A-side
THE WALLACE COLLECTION: The Laughing Cavalier:  1967, B-side
THE WHO: The Who Sell Out: B-side
THE CREATION: We Are Paintermen, 1967, A-side
THE SMOKE: It’s Smoke  Time, 1967, choice tracks
WORD & FREE SPEECH: Pete Seeger, The Fool, Peter Coyote, Leon Rosselson.
AND ALSO: The Soft Machine (Live At the BBC), The Move

02 REPEATED SHOW: PENTANGLE, FAIRPORT, RALPH McTELL
INTRO: REV. SHAWN AMOS  + HUGUES AUFRAY ***
THE PENTANGLE with Terry Cox, Bert Jansch, Jacqui McShee, Danny Thompson, John Renbourn: THE PENTANGLE, 1968 ***
THE FAIRPORT CONVENTION with Ian MacDonald, Judy Dyble, Richard Thompson, Simon Nicol, Anthony “Tyger” Hutchings, Martin Lamble: percussion, violin, produced by Joe Boyd: FAIRPORT CONVENTION, 1968, selected tracks ***
RALPH McTELL: SPIRAL STAIRCASE: selected tracks (Spiral Staircase,  1969) ***
AND ALSO: TIM BUCKLEY + BERT JANSCH, : EMITT RHODES (cd ‘Rainbow Ends’, 2016, thanks to Airplay Direct) ***
FREE SPEECH: TIM BUCKLEY: No Man Can Find The War (Live At The Folklore Center, 1967) + RALPH McTELL: England 1914 (Spiral Staircase, 1969) + BILLY BRAGG: Against the Law + CHARLES MINGUS: Oh Lord, Don’t Let Them Drop that Atomic Bomb On Me

ACHTERGROND ** BACKGROUND 

THE CREATION
(… ) But Numero Group’s new reissue of the album  is a welcome follow-up to Action Painting, the comprehensive two-CD anthology Numero released last year. Despite the filler, We Are Paintermen is a fantastic introduction to the band, neglecting only two essential Creation tracks (“How Does It Feel to Feel” and “Life Is Just Beginning”) and including most of their landmarks: “Making Time” and its excellent B-side “Try and Stop Me” are here, as is the just-as-incredible follow-up single, “Painterman” backed with “Biff, Bang, Pow.” Reputedly cut by producer Shel Talmy from the original master tapes—although, crucially, the word “analog” does not appear on the hype sticker, suggesting a digital intermediary—the songs appear in punchy, animated mono, as they were first heard in 1966 and 1967 (…) The Creation’s story is a convoluted one, with departing and returning band members, stray tracks, latter-day reunions, and a confusing discography. With Action Painting and now this superbly presented replica of We Are Paintermen, Numero Group is setting straight the historical record of this fantastic band. Now you can at least say you’ve heard of them. (…)

https://www.portlandmercury.com/around-and-around-a-vinyl-column/2018/05/09/19867398/make-time-for-the-creations-we-are-paintermen

THE FAIRPORT CONVENTION
“Fairport Convention was formed in 1967 by Richard Thompson (guitar & vocals), Simon Nicol (guitar & vocals, viola), Ashley Hutchings (bass), Judy Dyble (vocals) and Shaun Frater (drums). Before the release of their first record Shaun Frater was replaced by Martin Lamble and Ian (Matthews) Mc Donald (vocals & guitar) joined the band. FAIRPORT CONVENTION plays Folk-Rock influenced by British-Folk, American-Folk-Rock, Blues, Country, Cajun and American songwriters like Bob Dylan, Leonard Cohen, Tim Buckley and Joni Mitchell.
In 1968 they made their first recording ‘Fairport Convention’ for Polydor with Joe Boyd as producer. The record was mainly influenced by American-Folk and contained covers of Bob Dylan and Joni Mitchell. Later that year they signed to ‘Island Records’ and the departing Judy Dyble was replaced by Sandy Denny (Ex-STRAWBS)”.
Quoted from / All Rights Reserved:  http://www.progarchives.com/artist.asp?id=2162

THE PENTANGLE
“Among the major bands at the fore of the UK’s 1960s folk revival and the birth of folk rock, Pentangle is arguably the most underappreciated. Where Fairport Convention has become a revered institution, and Steeleye Span continues to win over rock audiences, and where the Incredible String Band is credited with breaking open the psychedelic barriers of folk music and the Waterson’s genetic line remains the first family of traditional British folk, Pentangle are often, in popular and critical esteem, treated as outsiders amidst the scene they helped to found. The Rolling Stone Album Guide, for instance, absolutely damns the band with faint praise, calling them “academic” and “more impressive than fun”.
While it’s true that the band strove for the kind of instrumental precision found in progressive rock (which they in no small way influenced) and that a Pentangle show was a performance as opposed to a concert, the band’s radical and surprising contributions to the foundations of folk rock cannot be understated. It was Pentangle who first brought jazz improvisation into the UK folk scene, it was Pentangle that re-established the connection between contemporary English folk and its medieval origins, and it was Pentangle who first added a rock and roll drum kit to traditional British folk songs”.

Quoted from / All Rights Reserved:  https://www.popmatters.com/pentangle-the-albums-1968-1972-2495376863.html

 

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